French Women Poets of Nine Centuries: The Distaff and the Pen
| Author | : | |
| Rating | : | 4.72 (969 Votes) |
| Asin | : | 0801888042 |
| Format Type | : | paperback |
| Number of Pages | : | 1232 Pages |
| Publish Date | : | 2017-03-04 |
| Language | : | English |
DESCRIPTION:
D. L. Rubin said A Major Contribution. Pat adjectives come to mind:' monumental, for instance, and authoritative, but likewise one not so pat: iconic. All three happen to fit this artistic and scholarly work of 1"A Major Contribution" according to D. L. Rubin. Pat adjectives come to mind:' monumental, for instance, and authoritative, but likewise one not so pat: iconic. All three happen to fit this artistic and scholarly work of 1229 pages. Not only did Norman Shapiro cover the canon from Marie de France to Anna de Noailles, but he extended it to include significant auteures from all periods (notably the twentieth century) whose work had rarely been collected or even anthologized. Shapiro's head-notes, footnotes, and bibliographies consistently illuminate text and transposition, combining necessary. "A Major Contribution" according to D. L. Rubin. Pat adjectives come to mind:' monumental, for instance, and authoritative, but likewise one not so pat: iconic. All three happen to fit this artistic and scholarly work of 1229 pages. Not only did Norman Shapiro cover the canon from Marie de France to Anna de Noailles, but he extended it to include significant auteures from all periods (notably the twentieth century) whose work had rarely been collected or even anthologized. Shapiro's head-notes, footnotes, and bibliographies consistently illuminate text and transposition, combining necessary. 9 pages. Not only did Norman Shapiro cover the canon from Marie de France to Anna de Noailles, but he extended it to include significant auteures from all periods (notably the twentieth century) whose work had rarely been collected or even anthologized. Shapiro's head-notes, footnotes, and bibliographies consistently illuminate text and transposition, combining necessary
It will also interest students of the art and craft of literary translation.Featuring the poetry of: Louise Ackermann, Victoire Babois, Natalie Clifford Barney, Fanny de Beauharnais, Catherine Bernard, Castelloza, Elisabeth-Sophie Chéron, Christine de Pizan, Gabrielle de Coignard, Louise Colet, Marie Dauguet, Lise Deharme, Lucie Delarue-Mardrus, Marceline Desbordes-Valmore, Antoinette Deshoulières, Lucienne Desnoues, Catherine des Roches, Madeleine des Roches, Stéphanie-Félicité de Genlis, Rosemonde Gérard, Delphine Gay de Girardin, Elisabeth Guibert, Pernette du Guillet, Henriette de Coligny de La Suze, Gérard d’Houville, Jeanne d’Albret, Marie-Madeleine Joliveau de Segrais, Anne-Marie Kegels, Louise Labé, Marie-Amable de La Férandière, Madeleine de l’Aubespine, Marguerite de Navarre, Marie de Clèves, Marie de France, Anne de Marquets, Elisa Mercœur, Louise M
He is a member of the Academy of American Poets and in 2010 was admitted as an Officer of the Order of Arts and Letters, Republic of France (Officier de l'Ordre des Arts et des Lettres).. His works include Four Farces by Georges Feydeau, Selected Poems from 'Les Fleurs du Mal' of Baudelaire, One Hundred
So if you happen to know somebody who loves women, or better still, if you happen to know somebody who loves poetry, this is a great gift. Pat adjectives come to mind: monumental, for instance, and authoritative, but likewise one not so pat: iconic. (Deborah Lesko Baker French Forum) . (Translation Journal)It is a volume that offers many delights There are anticipated pleasure to be found in relative abundance. (Virginia Quarterly Review)Expertly rendered and carefully presented, each gem is lovingly treated This is an exceptional, magnificent monument to French women poets, so long neglected and herewith redeemed. With 1182 pages in this anthology, there is a lot to love. (Mich