Colorful Impressions: The Printmaking Revolution in Eighteenth-Century France
| Author | : | |
| Rating | : | 4.34 (761 Votes) |
| Asin | : | 0853318921 |
| Format Type | : | paperback |
| Number of Pages | : | 188 Pages |
| Publish Date | : | 0000-00-00 |
| Language | : | English |
DESCRIPTION:
One of two books on this topic This is one of two books written on this topic in English. The other is "Regency to Empire, French Printmaking 1715-181One of two books on this topic James This is one of two books written on this topic in English. The other is "Regency to Empire, French Printmaking 1715-1814" (1984). "Colorful Impressions" (2004) is an excellent source book for eighteenth century prints and printmakers who practiced their craft between 1750-1800. Essays a. " (198One of two books on this topic James This is one of two books written on this topic in English. The other is "Regency to Empire, French Printmaking 1715-1814" (1984). "Colorful Impressions" (2004) is an excellent source book for eighteenth century prints and printmakers who practiced their craft between 1750-1800. Essays a. ). "Colorful Impressions" (200One of two books on this topic James This is one of two books written on this topic in English. The other is "Regency to Empire, French Printmaking 1715-1814" (1984). "Colorful Impressions" (2004) is an excellent source book for eighteenth century prints and printmakers who practiced their craft between 1750-1800. Essays a. ) is an excellent source book for eighteenth century prints and printmakers who practiced their craft between 1750-1800. Essays a
One of very few books available in English on the subject, this publication is a useful addition to the literature on this topic. One of the most glorious and creative periods in the history of colour printmaking occurred in 18th-century France. Reproducing all the featured prints in colour, the images are supported by a range of scholarly essays.. Newly invented engraving and etching techniques were combined with new ways of printing a single image from multiple plates, allowing printmakers to replicate a broad palette of colours using variants of only four: blue, red, yellow and black. The resulting prints were so believable that they were often called "printed paintings" and "engraved drawings". The names of the masters who pioneered these techniques are largely only familiar to scholars and collectors, but the artists whose compositions they copied include some of the greatest talents of the period - Watteau, Boucher, Fragonard and Boilly all feature, along with many others